Showing posts with label #BirdGlamour. Show all posts
Showing posts with label #BirdGlamour. Show all posts

Wednesday, September 5, 2018

I'm Moving...To a New Website!

Hello Dear Readers!

I have finally created my professional website!

On my site, you will see what is essentially my curriculum vitae, or CV.  I outline my work experience, my and coauthors' publications (I still need to attach downloadable PDFs), and my portfolio of Bird Glamour images and videos.

I am also moving this blog over to my new website! My blog is as much a part of my professional communication activities as is my publication record. I also like having all of my activities under one digital roof, so to speak. This will be my last post for the foreseeable future at this site, but the old posts will still be here!

My Twitter contacts generously shared their experiences and recommendations on their websites of choice for constructing their own professional web pages. Based on their recommendations I chose Wordpress, and so far I am quite pleased with its performance and layout.

If you are thinking of constructing a professional or personal website and are unsure where to start, here's the tweet (and resulting thread) where I received all of my recommendations.


Join me over at my new blog site Birds in Mud! Hope to see you there!

Thursday, June 7, 2018

Rocking On In Career Transition

Hello Dear Readers!

Whenever I'm asked, "Do you want the good news or the bad news?" I choose to receive the bad news first. There are two reasons for this. One, I want to know the exact nature of the challenge I must face. This appeals to the collections manager in me, as a lot of what I did as a collections manager involved picturing plausible threats to the fossils for which I am a steward, and then doing my best to mitigate those threats. Two, I am pretty good at turning the good news I receive second into an opportunity to mitigate the bad news. So for this particular post about my in-progress transitioning from Collections Manager & Curator to ????, I'm going to start with the "bad news."

There is still no long-term solution for the continuation of the Peace Region Palaeontology Research Centre since the Tumbler Ridge Museum Foundation's (our parent non-profit organization) funding for 2018 was denied by the District of Tumbler Ridge in March.

This is the definite low point of the year for paleontology in our part of the world (northeast British Columbia), and this particular low point brought friends. The first Low-Point Tag-Along is the imminent threat to the continuation of the fossil archives (a.k.a. collections) at the PRPRC. Anyone who follows my Twitter account (@Lisavipes) has seen me tweet with some ferocity and vigor on the importance of stable, well-supported natural heritage archives. This isn't for self-serving reasons: museum archives are still poorly understood and little appreciated by the public (although I see this changing) and by the administrators who decide which areas of museum life get support (that I do not see changing as quickly as I would like).

I'll share one of my Twitter threads on the importance of supporting natural heritage archives here.
This tweet and the associated thread describe why the collections are the foundation of a museum's activities: educational outreach, high-profile research, student opportunities, marketing, displays. Sure, you can have an interpretive center that shows some nice displays of, say, birds in your area (also part of our natural heritage), but all of the information that goes along with the visual imagery of the display originates from research and a collections facility.

(Anyone familiar with my Twitter feed also knows that I communicate in gifs. True Story.)
The "who what where when why and how" of those birds was figured out from a bird scientist (a.k.a ornithologist) looking at birds in the wild and in a museum's collections. Collections don't just preserve individual specimens: they preserve patterns. Collections reveal to you what birds were once common in an area, but are no longer common. Collections reveal that what we thought was one bird was actually two really similar-looking species after the genetic information was studied. Collections preserve specimens collected throughout the years so we can see what toxins might be contributing to the decline of a bird species.

What us scientists call research is really just us figuring out the detailed story of the critters that we study. The collections are the library of ideas and information that make the story (scientific papers, displays, educational programming) possible.
We don't really describe the step-by-step detail of how discoveries are made. We usually present the Highlights version of the journey because, let's be brutally honest here, reading about the step-by-step, day-to-day grind of data collection, data analysis, surveying, etc. would be a tedious read. When I was a graduate student, our lab would informally hold a "Tedious-Off" competition. The person doing the most tedious task to tell the story of their fossil research would "win." There were no prizes, but we did get to share with our colleagues some of the slogging that we did to get from idea to science story. Common Tedious-Off entries were editing noise out of 3D model images, finding the one bad data entry in a spreadsheet of 10,000 entries, and counting all of the bumps on the cutting surface of a theropod tooth (that one never won, because we were looking at an actual specimen so that was still cool.) TL:DR is that collecting information and getting the story ready to tell isn't all excitement and surprised gasping at discoveries.
When I document fossil bird footprints on rock slabs, it's a pretty mellow scene.

Take a look at the above picture. This is a small part of the large bird and dinosaur track surface of the Gajin-ri Track Site in South Korea. The paleontologists who study this site made a trackway map (basically a drawing of all of the footprints as they appear on the surface) by spending hundreds of hours crouched on the surface finding and tracing each individual footprint in low-angle light. This is the standard operating procedure for studying small tracks. I've spent many a day in collections, pitch black save for one lamp, lying on foam pads on the concrete floor as I trace out bird tracks and invertebrate burrows on to plastic sheets.

I can't speak for everyone, but for myself, I am not looking for a new discovery when I'm documenting tracks. I'm simply transcribing what I see on to plastic and paper. It's only when I keep seeing the same "different" thing over and over that my brain starts to think "Hey, that's odd. something's going on here." It's not scientific montage process typically shown in movies, where scientists are looking for X, struggle to find X, and then - against all odds - find X. Perhaps this is why collections do not receive the respect they deserve: their use (except for display specimens: those are part of the collections) is behind the scenes and progress is careful and slow.

A curiosity question for me: is there anyone out there that would truly be interested in seeing an unedited video of a researcher like a paleontologist doing the Tedious-Off portion of their work? My working hypothesis is that the answer to that question will be chirping crickets.

When I gave the occasional tour of the collections facility, there are one of two reactions:

"Oh my God this is so important! Look at all of our heritage!"

...or...

"So how can we make money off of this?"

Maia demonstrating the Head Blanket, because sometimes Head Desk is too hard.
When I attempt to explain to this type of responder with how collections are the source of the displays and discoveries, I see eyes glaze over. I have not yet found the right combination of words that can break through this attitude.

As a result, I am now faced with the very real scenario of having to find a stable home for the fossil archives. We do not "own" the fossils. The town does not "own" the fossils. They are technically the property of the Province of British Columbia, and my colleague (and fellow termination notice holder) and I are the qualified stewards of the fossils.

The second Bad News Tag-Along is that there will be no paleontology field exploration done this summer. One misconception that I encounter is that field paleontology is cheap/free to do. This might be because the field survey methods are not necessarily high-tech. Fuel to get to field sites costs money. If you find something large, moving that specimen costs money. Also, our time has a cost associated with it. Just as artists can't pay the bills using Exposure Bucks, paleontologists can't pay the bills using Excitement of Discovery Bucks. And no, despite what people believe, making big discoveries does not make it easier to find funding to continue work. Media exposure =/= money in paleontology.

So, those are the Bad News items. Now on to the Good News items.

1. Tomorrow is my one year Bird Glamourversary! To celebrate this milestone in my journey as a science communicator, I will be launching a Bird Glamour YouTube channel that will combine me applying the Bird Glamour looks with cool facts about the featured bird! Once the link is live I will include it in this blog post!

UPDATE: Here is the link to the Bird Glamour YouTube channel!


2. I am working on two non-fiction book proposals! One book is purely in the proposal stage, while the other book has a couple of sample chapters already written. When I feel a bit more certain about the process and the progress, I'll talk about those projects here!

3. I am collecting the information I need for gaining certification as a professional geoscientist in British Columbia. It's a long process, but with the combination of schooling and 15 years of experience as an active paleontologist, I think that I have a great chance at succeeding.

4. I will be working on some post-secondary program development. Once the details of that project are ironed out, I can talk a bit more about the projects.

5. Of course, I am applying for jobs. I'm constantly reminding myself that it is not my job to tell myself I'm not right for a posted position...within reason, of course: I'm not going to apply for a physics or a botany position. I am making a conscious effort not to select myself out of potential opportunities.

That is my life in the sciences at this point in time! I am excited that I have the opportunity to explore options and opportunities within science communication through Bird Glamour and book writing.  Who knows where these opportunities will lead?

Wednesday, April 18, 2018

Bird Glamour and Scicomm: The Almost One Year Review

Hello Dear Readers!

I'm not going to try to gloss over the situation, but March and April have been less than glamorous. The District of Tumbler Ridge denied the annual operational funding request of our parent organization, the Tumbler Ridge Museum Foundation, because...well, I'm not really sure why Dear Readers. The reasons we are given (and that are stated in the media) keep changing in moving goalpost fashion. There's potential for a "because...Reasons" meme here. So, I'm sitting here with a termination notice in my pocket (the TRMF had no choice but to issue all of its employees, including me, the notices.) I'm not done writing about this, but that will be a future post, and one filled with more information than the "because...Reasons" that we have been given. Stay tuned.

This development happened in conjunction with a series of talks me and my colleague Dr. Richard McCrea gave in Vancouver and on Vancouver Island. First, we helped open the Beaty Biodiversity Museum's newest permanent exhibit Footprints In Time (link to the Beaty Biodiversity Museum website here) on the University of British Columbia campus. This was an excellent partnership: we made the trackway replicas, and then worked with their display and scicomm team to create the interpretive text. The displays look spectacular! Below is a picture of one of the trackway replicas, a 130 million-year-old track slab from northeast British Columbia that contains the natural cast (track infills) trackways of a large theropod (likely an allosaurid) and an ornithopod (likely similar in size and shape to Iguanodon.) That evening Rich gave a talk on dinosaur tracks from British Columbia (with a focus on the Six Peaks Dinosaur Track Site, follow the link for our YouTube video) for the Beaty Biodiversity Museum's Nocturnal lecture series.
One of three dinosaur trackway slab replicas (original specimens currently curated at the PRPRC) now on display at the Beaty Biodiversity Museum on the University of British Columbia campus!
I gave four talks over two days at Science World in Vancouver (that may also be the subject of a future post), and then I gave a presentation on what we know about dinosaur behavior from tracks and traces (a.k.a. ichnology) for the Beaty Biodiversity Museum's "Way Cool" series. Then we gave talks on track research in British Columbia in Courtenay for the Vancouver Island Paleontological Society.

Whew.

I can now talk about the subject of this post, which is my reflections on my almost one year anniversary of when #BirdGlamour took flight! Bird Glamour is a scicomm and sciart project that I developed to introduce people to the wonderful diversity and life history of our present-day theropods, a.k.a. birds, using a rather unconventional medium...COSMETICS!

My most recent #BirdGlamour is the Osprey (Pandion haliaetus)!
Each Bird Glamour post comes with a cool fact about the life history of the subject bird, ranging from migration to food preferences to feather pigments: basically, any tidbit of information that I think people would connect with. I launched Bird Glamour on June 9, 2017, with a very simple post.
To be honest, I had no idea how the linking of ornithology with cosmetics would be received. Some people in science are not exactly open to the idea of Science Selfies; however, read the strong rebuttal to this on the blog From The Lab Bench entitled "Why We Scientists Do Instagram." My concerns were unfounded. Bird Glamour is a hit!

There have been great highlights in the short life of Bird Glamour. One was my first video tutorial, developed with Audubon, for a Halloween-themed Bohemian Waxwing Bird Glamour!

I was also asked to do a promotional Bird Glamour for The Urban Interface, a non-profit wildlife and nature education center. They have lovely wildlife Ambassadors for which they care and train for educational purposes. Their Ambassador Pandora, a Swainson's Hawk, is a lovely Bird Glamour model.
Now that I'm nearing the one-year Glamour-versary (oh yes, I went there) of Bird Glamour, I wanted to fly a few ideas past Twitter to see if some new styles or techniques would ruffle any feathers. I went to the polls!

1. Most respondents were quite eager to see me migrate to other continents to glam it up!
I definitely agree! There are so many exciting birds and cool bird diversity to explore!

2. In addition to my usual style of Bird Glamour, people are interested in seeing me do makeup tutorials while I chirp about the bird being glamoured!
YouTube will be a new adventure for me. I'll admit that I feel nervous on camera. I also recognize that I shouldn't feel this way: I've been interviewed many times for documentaries and media. I'm hoping this nervous feeling will fade with familiarity.

3. There is interest to see how these Bird Glamour looks could be transformed to every day looks, or at least a fun evening look!
I will definitely experiment with everyday Bird Glamour looks. I am not an expert in applying cosmetics, so if you're also new to makeup, we can learn (and possibly laugh) together.

4. This poll on incorporating female coloration into Bird Glamour was almost neck-in-turkey-neck. To date, the looks have focused on male plumage (or those birds that have similar male and female plumage).
I agree with keeping the male and female plumage colors separate. However, I will glamour cases of gynandromorphism, the condition where an animal shows both male and female characteristics. Animals with bilateral gynandromorphism look male on one side and female on the opposite side. A recent case of bilateral gynandromorphism that hit the bird news was the gynandromorph Northern Cardinal.

5. My last question involved beak color. Given the array of lipstick colors available, I think people wouldn't mind part of my makeup bill being used for Bird Glamour lipstick!
You'll be proud of me, Bird Glamour fans: I have started acquiring fun lipstick colors!
I also did my first Bird Glamour post that includes lip color: the Herring Gull.
Gulls are the perfect bird for incorporating lips into the Bird Glamour look. Many species of gull have a fairly standard adult head color - grey-white - but there is color variation in the stripes and spots on their beaks!

Reception of Bird Glamour

Online Reception - The sheer number of positive comments and encouragement online is both staggering and humbling. I am thrilled that Bird Glamour speaks to people. Science art (sciart) is a powerful tool in science communication: there's a reason for the saying "A picture is worth a thousand words." Images are a powerful and effective way to transmit complex ideas. The idea of Sketchnoting relies on the information-delivery power of illustrations to highlight key concepts. Using a different style of illustration - makeup - allows me to highlight birds that people might want to know more about.

Bird Glamour also starts some great conversations about bird lives and biology. The most frequently asked question is "Why do so many birds have a black stripe around their eyes?" That's a good question! There was a study done on what the Masked Shrike uses its bold black eyeliner for. Is it to reduce glare for hunting? Does it make the eyes of the shrike appear bold and scary to deter predators? Does it help the shrike camouflage itself for sneak attacks, or hide the eyes so its prey doesn't know it's being watched? When researchers temporarily painted some Masked Shrike's masks from black to white (they Bird Glamoured an actual bird!) the shrikes with white eye masks had more trouble snagging prey and did most of their hunting facing away from the sun. It turns out black eye masks act as sunglasses for birds, at least for Masked Shrikes.

Public Reception - How do people react when they see me in public all Bird Glamoured up? It depends on the setting. I did a Bird Glamour version of the feathered theropod Anchiornis huxleyi, know for its striking black, white, and rusty red plumage, for attending the Society of Vertebrate Paleontology Annual Auction.
I had several people who approached me to say they enjoyed the Anchiornis Bird Glamour. There were also some smiling looks, but perhaps starting the conversation of "Hey, why is your makeup like that?" felt too socially awkward for them. I completely understand. Starting conversations with people I don't know is difficult for me as well. Running up to people, waving my arms and shouting "HEY WANT TO TALK ABOUT MY EYES AND ANCHIORNIS?" seems a bit intense, so I need to work on that approach. There were also some unsmiling stares and quick look-aways. That I also understand: Bird Glamour doesn't have to appeal to everyone. Or perhaps they thought I was unprofessional or strange. Well, as my readers and social media friends know, I am strange, but I am completely comfortable with expressing my interests and passions.

Family audiences are very receptive to Bird Glamour. When I did a presentation for families at the Goseong Public Library on Cretaceous bird track types found in both Canada and South Korea, the public reception was great! I had my picture taken with a lot of families! The people in the makeup department at our closest Shoppers are also interested: more than once I've gone in with a picture of a bird and asked "I'm looking for this color. Do you have anything like this?" On seeing some of my Bird Glamour posts, one commented: "Wow, so you're an artist!" That took me by surprise: I have never identified as an artist before. I can pencil sketch with enough accuracy to satisfy my eye, but art is not something that I have ever done professionally. All I could do was stammer for a bit and then say "Huh. Yeah, I guess I am!"

I am planning something super fun for my official one-year Glamour-versary in terms of setting and the bird, and a great bunch of Bird Glamour pictures to share from our West Coast trip.

What birds would you like to see for future Bird Glamour pictures? Do you have a science specialty that would make a great Glamour? Itati (@itatiVCS) has started #EcoGlam #MachineFacts to share how she uses various equipment to do ecology research! I'm going to enjoy following this hashtag!
Stay tuned for more Bird Glamour!